劇場幕後的力量：駐美觀察與反思
Wei Ping Chen 陳韋屏
October 29, 2025
筆者服務於OISTAT國際劇場組織（國際舞台美術家劇場建築師暨劇場技術師組織）長達九年，該組織是非政府國際組織，旨在促進劇場幕後工作者的國際交流。
筆者服務於OISTAT國際劇場組織（國際舞台美術家劇場建築師暨劇場技術師組織）長達九年，該組織是非政府國際組織，旨在促進劇場幕後工作者的國際交流。
在臺灣，我們有許多類型的博物館，也有部分博物館嘗試以兒童為目標觀眾規劃展覽或策劃活動，卻從未以國家層級建造及營運一座「兒童博物館」。
感謝Fulbright提供這次珍貴的華語教學獎學金機會，使我得以在跨文化的教學環境中發揮專業並提升自己。我深感榮幸，能與眾多經驗豐富且實力堅強的華語教師們學習和共事，這不僅加深了我對華語教學的理解，也讓我受益匪淺。
The three years I spent in Taiwan can only be described as alchemy: a seemingly magical process of transformation, creation, or combination. That is not to say the journey was without hiccups or growing pains;
既榮幸又幸運能獲得Fulbright獎學金，讓我這個土生土長的台灣人在工作與進修多年後，有機會於2018年8月到2019年7月到美國哈佛大學公共衛生學院擔任訪問學者
本學期以任務型教學法（Task-Based Language Teaching, TBLT）為主軸，採用《當代中文課程四》為核心教材，結合台灣醫療電視劇《村裡來了個暴走女外科》作為輔助材料，引導學生在真實情境中使用華語，提升其語言運用能力與跨文化理解能力。
I wasn’t sure what to expect when I arrived in Taiwan. Aside from a few short visits in the past, I knew little about the pragmatics of everyday life here. Taiwan was also a new field site for me, where I was beginning a (relatively) new research project on care and breast cancer.
Overview: With only five vibrant weeks to go before the conclusion of the spring 2018 semester in the Department of Ethnic Relations and Cultures, College of
It was a colder night than usual in Kaohsiung. For me, it was mildly warm, but the locals all had to wear coats because they
My research centers on the identification of inherited genetic variation that influences disease risk in humans. Only within the last decade, following the completion of
