劇場幕後的力量:駐美觀察與反思
筆者服務於OISTAT國際劇場組織(國際舞台美術家劇場建築師暨劇場技術師組織)長達九年,該組織是非政府國際組織,旨在促進劇場幕後工作者的國際交流。
筆者服務於OISTAT國際劇場組織(國際舞台美術家劇場建築師暨劇場技術師組織)長達九年,該組織是非政府國際組織,旨在促進劇場幕後工作者的國際交流。
在臺灣,我們有許多類型的博物館,也有部分博物館嘗試以兒童為目標觀眾規劃展覽或策劃活動,卻從未以國家層級建造及營運一座「兒童博物館」。
感謝Fulbright提供這次珍貴的華語教學獎學金機會,使我得以在跨文化的教學環境中發揮專業並提升自己。我深感榮幸,能與眾多經驗豐富且實力堅強的華語教師們學習和共事,這不僅加深了我對華語教學的理解,也讓我受益匪淺。
When I received notification that I was selected as a grantee of the International Education Administrator Fulbright Tawain award, my emotions were met with overwhelming joy and gratitude, but also anxiety.
The three years I spent in Taiwan can only be described as alchemy: a seemingly magical process of transformation, creation, or combination. That is not to say the journey was without hiccups or growing pains;
I appreciate this opportunity to share and reflect on my experience as a Fulbright U.S. Senior Scholar-Teacher in Taiwan at National Central University, hosted by the Department of English, and affiliated with their Center for the Study of Sexualities.