Feeble Men and Double Bodies: Du Shiniang at the Metropolitan Hall Theater
What is it about the feebleness of men in traditional Chinese theater? The emperor stands by, saying nothing and looking apologetic, while his councilors suggest that it would probably be for the best if his beloved concubine were to kill herself. The scholar Xu Xian stumbles over himself, trying to escape from his loving wife, White Snake, whom he has betrayed to a monk. Once she arrives, mournful and angry, he bad-mouths the monk and re-pledges his love. Not to mention all the scholars who run off to attend the imperial exams and forget about their wives, or the long-suffering courtesans who supported them. The women are left sitting at home taking care of the scholar’s parents, starving, choking on rice husks. And after his parents have died, they beg their way to the capital to find him, at which point they are imprisoned in mills or banished into remote servitude by the relatives of the scholar’s new wife. Or maybe a letter is forged, telling them they are abandoned, and they throw themselves in the river. Thank God for a woman with a backbone: in Du Shiniang at Taipei’s Metropolitan Hall theater, we had in a single forty-minute scene
